Classical Opera was founded in 1997 by conductor Ian Page to explore the works of Mozart and his contemporaries, and has emerged as one of the leading exponents in its eld. In 2017 it launched a new brand, The Mozartists, enabling it to broaden its ever-expanding concert work while continuing to present recordings and performances of complete operas under the name of Classical Opera. With its own acclaimed period-instrument orchestra, the company has attracted widespread critical and public recognition, not only for the high quality of its performances but also for its imaginative programming and its ability to discover and nurture outstanding young singers. In 2015 it launched MOZART 250, a ground-breaking 27-year project following the chronological trajectory of Mozart’s life, works and in uences.

Classical Opera has performed regularly at many of London and the UK’s leading venues, including Wigmore Hall, the Barbican, Sadler’s Wells, Birmingham Town Hall and Bridgewater Hall, Manchester, and on tour in Italy, France, Germany and Austria, where it enjoyed a three-concert residency at the 2016 Eisenstadt Haydn Festival. It has mounted staged productions of many of Mozart’s operas, and in 2009 presented The Royal Opera’s new production of Thomas Arne’s Artaxerxes. It has also given the world première of the ‘original’ version of Mozart’s Mitridate, re di Ponto, and the UK premières of Gluck’s La clemenza di Tito, Telemann’s Orpheus and Jommelli’s Il Vologeso.

Classical Opera’s first two recordings – ‘The A-Z of Mozart Opera’ (Sony BMG, 2007, re-released on Signum Classics, 2014) and ‘Blessed Spirit – a Gluck retrospective’ (Wigmore Hall Live, 2010) – were both selected for Gramophone magazine’s annual Critic’s Choice. In May 2016 the company released ‘Where’er You Walk’, with tenor Allan Clayton, which was shortlisted for the 2017 International Opera Awards, and this was followed in May 2017 by The Mozartists’ début recording ‘Per do!’, a programme of Mozart, Haydn and Beethoven concert arias featuring soprano Sophie Bevan. This current recording is the seventh release in Classical Opera’s complete recording cycle of Mozart’s operas.

Ian Page (conductor) is the founder, conductor and artistic director of Classical Opera, and is emerging as one of the leading British conductors of his generation. He began his musical education as a chorister at Westminster Abbey, and studied English Literature at the University of York before completing his studies at the Royal Academy of Music in London. At the start of his career he worked on the music staff at Scottish Opera, Opera Factory, Glyndebourne and the Drottningholm Slottsteater in Sweden, working with such conductors as Sir Alexander Gibson, Nicholas McGegan, Mark Wigglesworth, Ivor Bolton and Sir Charles Mackerras.

With Classical Opera he has conducted most of Mozart’s early operas, including the world première of the ‘original’ version of Mitridate, re di Ponto and a new completion of Zaide, as well as Le nozze di Figaro, Così fan tutte and La clemenza di Tito. He has also conducted the UK premières of Gluck’s La clemenza di Tito, Telemann’s Orpheus and Jommelli’s Il Vologeso, as well as the first new staging for 250 years of Johann Christian Bach’s Adriano in Siria. In 2009 he made his Royal Opera House début conducting Arne’s Artaxerxes at the Linbury Studio Theatre, and his studio recording of the work was released in 2011 on Linn Records.

He devised and conducted Classical Opera’s recordings of ‘The A-Z of Mozart Opera’ (Signum Classics) and ‘Blessed Spirit – a Gluck retrospective’ (Wigmore Hall Live), both of which were selected for Gramophone magazine’s annual Critic’s Choice, and he recently embarked on an acclaimed new complete cycle of Mozart opera recordings with Classical Opera. He has also created and devised MOZART 250, Classical Opera’s ambitious 27-year journey through Mozart’s music and influences, which was launched in London in 2015.